A/N: This week’s post is an academic essay on Pride and Prejudice with a focus on feminism.
The iconic story of Pride and Prejudice was published in 1813, but even though it was written by Jane Austen it was not published under her name. This was because that during the beginning of the nineteenth century, it was still considered shocking and scandalous for a woman to write for money.
This meant that when a book was published under an anonymous name it was often because it was in fact written by a woman. This also held true for the rest of Austen’s published work such as Sense and Sensibility, which was also published anonymously.
Continue reading “Pride and Prejudice: A Feminist Criticism”
A/N: Okay, this is the very first Academic Essay I’ve put out to the world to see.
The title is pretty self-explanatory, and it’s basically a comparison of the feministic qualities found in Snow White, Belle and Elsa.
“Within a month, Daisy threw a tantrum, when I tried to wrestle her into pants. As if by osmosis she had learned the names and gown colours of every Disney Princess… She gazed longingly into the tulle-draped windows of the local toy stores and for her third birthday begged for a ‘real princess dress’ with matching plastic high heels” (Orenstein).
Unsurprisingly this representative of a little girl’s adoration for Disney is merely one of many examples, which concerns the popularity of the Disney Princesses, whom are idealized by millions of young girls, and, probably, boys, across the globe. They are in control of monumental impact and influence. One of these influences deals with feminism.
What does the media of Disney teach little girls about what implementations there are to be female? The feminism in the media of the Disney princesses has evolved through the decades, which can be assessed through an analysis of the movies of only three selected Disney princesses; Snow White, Belle and Elsa.
Continue reading “The Evolved Feminism of Disney Princesses”